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The gravelled paths of the park radiated from me: and all at once I was overcome by a new knowledge. I was very small and I was sitting on the stone surround of the pool and fountain in the centre of the park. Free-will cannot be debated but only experienced, like a colour or the taste of potatoes. When did I lose my freedom? For once, I was free. The rivets join us together and yet, for all the passion, we share nothing but our sense of division. I am shut in a bone box and trying to fasten myself onto white paper. I am poised eighteen inches over the black rivets you are reading, I am in your place. Our communion (communication) must of needs be imperfect for we are fallen creatures, yet we must of needs make the effort. There are twenty modes of change, filter and translation between us.ĭeep calls out to deep. Your darkness reaches out with your tongs and grasps a book. My darkness reaches out and fumbles at a typewriter with its tongs. Here are snippets from a passage that reached me - if they leave you cold then maybe come back later: This is a book written by a literary giant, and what you find here rather depends on what you bring and at what point in your life you arrive. There aren't necessarily answers to accompany those truths, but he says what you know, in ways that you couldn't say it - and somehow it's comforting to know he has seen and felt what you have. Golding exercises a subtle genius here and just lays out truths for you. It isn't for the story - though that is very interesting - it isn't for the cleverness of the twist - though it is clever - it's because it represents a brief period of clarity when one of the great writers of our time really got to grips with the business of what being human is all about. There aren't necessarily answers to accompany those truths, but he says what you know, in This is my favourite work of literary fiction. This is my favourite work of literary fiction.
Freefall a novel free#
He determines to find the exact point at which the accumulated weight of those choices has deprived him of free will. Transfigured by his ordeal, he begins to realize what man can be and what he has gradually made of himself through his own choices. He emerges from his cell like Lazarus from the tomb, seeing infinity in a grain of sand and eternity in an hour. Swept into World War II, he is taken as a prisoner-of-war, threatened with torture, then locked in a cell of total darkness to wait. Sammy Mountjoy, artist, rises from poverty and an obscure birth to see his pictures hung in the Tate Gallery. My body had many hairs on legs and belly and chest and head, and each had its own life each inherited a hundred thousand years of loathing and fear for things that scuttle or slide or crawl." from Free Fall I got there in the one movement my body made. My body had many hairs on legs and belly and chest and head, and each had its own life each inherited a hundred thousand years of loathing and fear for things that scuttle or slide or crawl." from Free Fall Sammy Mountjoy, artist, rises from poverty and a "I was standing up, pressed back against the wall, trying not to breathe. "I was standing up, pressed back against the wall, trying not to breathe.